Daniel Milhaud gives us his review and impression of the masks at the Basel carnival. In the company of the writer Frédéric Valabrègue, the sculptor revisits his self-portraits. The drawings of his characters question identify in a staging that plays with words and concepts with using neon lights, papier mache and callebasses.
In his workshop, Milhaud works on the images of animals and the concept of “Vanity”, and speaks of the place of man in the universe.